Painting After Performance @ Tate
We always perceive the infinitude of a moment, but we cannot capture it, which made this exhibition seem appetising. Naturally, to say this contradicts some important thinking on perception -- the name Merleau-Ponty looms forth -- and so what I mean exceeds the literal. Being present for a moment, part of its simultaneity, is partially to absorb it and to experience its energy or presentness: this is to be present to the moment in its infinitude, not to apprehend the impossible totality of it. Infinite is infinite. This exhibition claims to explore this complex between the presentness of a performed moment and its representation. And so, when we look at the David Hockney , the jarring of stillness and action creates the overall energy of the piece. The instant after the dive is artistically (gesturally, figuratively) captured upon the canvas. This painting of an action after the performance of it aligns perfectly with the ethos of the exhibition, and, of course, A Bigger Splash ...