Orozco @ Tate Modern

[Originally written on 13 February 2011]

http://blog.tate.org.uk/?p=3145

I knew nothing of Orozco’s oeuvre. I did not know his name. Perhaps that’s why I was so touched and impressed by it, but that is just a theory. As for certainty, I was impressed, touched and inspired by the exhibition, from the vivid simplicity and immediacy of My Hand is My Heart (clay artifact + wall-mounted double photograph), through the chilling and nihilistic rows of discarded lint in Lintels, to the charm and humour of tins of catfood atop melons. Orozco’s work in the Tate’s current exhibition demonstrates diversity and attends to our mortality, but I would rather discuss its capacity to invite participation. For instance, the relative vastness of Lintels and Chicotes includes one as a spectator in the sculptures, making it impossible not to take part in the work.

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