Three diverse architectural paintings @ Bowes Museum
Continuous Bodies
Nathaniel Stern's Interactive Art and Embodiment: The Implicit Body as Performance operates like a museum in a book. So numerous and carefully juxtaposed are artworks within a network of subtly argued ideas, the reader cannot help but feel stimulated to imagine and temporarily live with the works he describes. This presence of the works that I'm highlighting is hardly surprising. Stern wishes to show how 'matter matters, however mediated' [1], and this aspiration manifests in the palpability to which his analyses give rise. The centrality of matter in interactive art, Stern argues, stems partially but importantly from the need he perceives to elaborate upon poststructuralist and later critical attitudes concerning the body's irreducibly linguistic constitution.[2] Some body art is explicit, unfolding and explicating social and economic inscriptions, but there is an equally important type of implicit body art, which aims to 'unpattern habitual actions'.[3]
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